CCTV News (Reporter Wang Lili) On May 18, Shanxi Museum was still some time away from opening at 9 o’clock, but dozens of tourists were already queuing up at the entrance to wait. Enter the museum. At this time, Li Xiaobo, a 34-year-old cultural relic restorer, hummed “Blue and White Porcelain” and walked through the main hall of the museum, which was like a tripod. After turning a few turns along the gray exterior wall and passing through a few doors, he walked into his office. Location – ceramics group repair studio.
Li Xiaobo is repairing a piece of porcelain. (Photo by Wang Lili)
Following the popularity of “I Repair Cultural Relics in the Forbidden City”, some time ago, there was a nationwide cultural relic restoration year The night game once again brought the personal work of cultural relic restoration to the public’s attention. However, as people who “resurrect” cultural relics, Li Xiaobo and his colleagues are not changed by the enthusiasm, and still carry out silent communication with the artifacts day after day.
Because my family likes to join my favorite antiques, and Li Xiaobo himself likes art, when filling in his application for the college entrance examination, he chose the “unpopular” field of cultural relic appreciation and restoration to specialize.
In 2010, Li Xiaobo graduated from university. After two years of apprenticeship, he became a restorer at Shanxi Museum, focusing on ceramic restoration.
The reporter saw that there was no isolation in the 60-square-meter restoration room where Li Xiaobo was located. Jamaica Sugar DaddyThere is a huge work table in the middle, with ceramics sent for repair from various local museums placed on it.
Putting on his work clothes, Li Xiaobo picked up a double-series porcelain bottle with Tang white glaze plate on the table and looked at it for a long time. Sometimes he turned sideways to change the viewing angle, and sometimes picked up tweezers. Tap the item overview.
” Working slowly and respecting cultural relics are Li Xiaobo’s daily tasks, and they are also the “rules” he learned from his apprentice on the first day of work.
Cultural relic restoration is an ancient craft that began in the Spring and Autumn Period. Like most traditional Chinese handicrafts, in addition to enduring hardship, good craftsmen also need talent.Endowment.
In the industry of ceramic restoration, the steps are complicated. Over the past 11 years, Li Xiaobo will prepare every cultural relic that is handed over to him according to the process step by step: Photography, measuring dimensions Jamaicans Sugardaddy, drawing, sampling, inspection, analysis and repair tests, formulating repair plans and submitting plans for approval. During the formal restoration process, six processes including cleaning, splicing, patching, polishing, color matching, and imitation glaze must be completed.
Which of this series of steps is the most difficult?
“Everything is difficult. The most difficult thing is to make old colors. This step depends entirely on experience and personal understanding.” Facing the reporter’s question, Li Xiaobo said that as of now At present, his team has completed the restoration of more than 1,000 cultural relics. “To the end, ‘feeling’ is the most important thing.”
A yellow-glazed statue from the Northern Qi Dynasty restored by Li Xiaobo. (Picture provided by interviewee)
“In the past, what was pursued was the restoration of parts and the color, pattern and texture of the cultural relic itself. However, as I continued to summarize and think about it, I gradually realized that excessive interference in the repair parts may obscure the production process of the cultural relics and the information they carry,” Li Xiaobo said.
For Li Xiaobo, the construction of cultural relics was difficult. In addition to the cold touch on the surface of the porcelain, there were also unforgettable memories during the work process.
He was deeply impressed by the restoration of the glaze statue. Speaking of the restoration process of this cultural relic, Li Xiaobo said: “When I first saw this cultural relic, it had been briefly restored, but the repair method was rough and it was very difficult to restore it again. By observing the objects nearby, After consulting the collected literature and researching the cultural relics themselves, we began a six-month-long restoration. After a series of tasks such as removing the original adhesive, re-matching, and color matching, this porcelain from the Northern Qi Dynasty finally revealed its true identity. , we were also captured more than a thousand years agoShocked by the craftsmen’s whims. ”
In recent years, more and more people have experienced Jamaica Sugar process cultural relics. This carrier has a clear understanding of Chinese culture. Looking at the “living” cultural relics displayed in the exhibition hall, Li Xiaobo, who is not good at talking, showed a happy smile. He said: “If nothing goes wrong, this porcelain will be worth at least 50 years.” No need to repair for years. ”
More and more cultural relics have been restored, but they were disturbed by Li XiaoJM Escorts The “safety addiction” that my colleagues call a personal work-related disease has become more and more serious. “I am always afraid of any damage to cultural relics in my hands, especially the sound of falling objects. “Li Xiaobo gave an example. When placing cultural relics, you must review them repeatedly to avoid accidental bumps and damage. “We must always maintain respect for cultural relics. “Li Xiaobo has been engaged in cultural relic restoration work for 11 years and has encountered various JM Escorts challenges, but behind all successful restorations is skill. Awakening the awe of thousands of years of “history”
Now, Shanxi Museum has equipment such as scanning electron microscopes, metallographic microscopes, and Raman spectrometers. With the advancement of cultural relic restoration concepts and With the development of technology, more and more young people are willing to participate in the task of restoring cultural relics, using their own hands to help complete cultural relics rejuvenate, allowing people to transcend time and space and touch history through cultural relics.